Having re-adjusted the composition, done research into protea flowers and learned their proper names, I move the almost completed painting somewhere I can see it as part of my daily life: on a phone call, or coffee break – or simply looking at it in a different light*. Now brushes are put away, palette cleaned and I resist any temptation to do anything to it for several days. It’s all too easy to lose freshness by over-working a piece at this stage. I go to work on a smaller painting. *In my student day, I found looking at it in a mirror gave me a good critical perspective for finding flaws.
Exploring medieval design and fascinated by leaf patterns *Founding member of Heritage Vancouver, *Served on The City of Vancouver’s Heritage Commission *Heritage Award for her paintings of grocery stores built in Vancouver in the 1930s and earlier * Artist in Residence at Cannery in Steveston BC View all posts by Jo Scott-B