Protea: Final steps

The painting is finished. I’ve adjusted the smaller flowers, added some dots to the pin-cushions and tweaked other details. I’ve struggled with its name eventually opting for simplicity: Kew Proteas as it was there that I was inspired to do this. Now it can go to the exhibition which I’ll be installing on Thursday February 28th at Van Dusen botanical gardens in Vancouver BC. It’ll be coated with a layer of clear acrylic, then after two days, allowing for thorough drying, it will get a final coat of removable varnish with a UV filter, to allow for cleaning later in its life. (I must remove all traces if I decide to work on it again). Varnish feels so final – but we have had a fulfilling journey together. It’s snowing here today so I’ve photographed this in my studio, – that makes the top appear darker.



starting a 48″x36″ canvas

PROTEAS

-apologies. This post was taken down to edit errors and is simply re-posted- I’m fine with paint … not computers – Jo

drying protea leaves and a messy table as colours begin

 studio notes

Watching paint dry has me working on two or three canvases … after several months of tweaking, changes and more changes, I can say “finished” to a piece started a year ago, and varnish it to send it to my next exhibition. Now I’m gazing at shadows thrown by protea leaves, which are twisting as they dry. The protea painting is off to a strong start as it takes on a new life, already diverging from my original concept. I liken it to writing, the when characters take on a life of their own.

I hate styrofoam (see photo) but free range eggs occasionally arrive it, purposely re-cycled … it makes a great paint holder, easy to pop into a plastic bag (another hate!) – I mix on glass palette; the mini one pictured above (I have three). I try to keep my palette clean as I work but occasionally one dries “dirty”. Hand sanitiser cleans dried acrylics like magic, then that palette is well washed and put away for several days.

background grass detail for proteas