Once a painting is born there’s no way to rush it; I paint consistently, addressing problems, maintaining the rhythm. Music helps me start every session. Thinking time is my investment; especially as I underpaint in contrasting colours, meanwhile tweaking the drawing. Though I start with a clear idea, once it’s on the canvas, parts needs adjusting … and changes will continue to happen right up to the end. I rough in the underpainting, creating a chaos that challenges me to continue. Sometimes I’ve given up by now if it’s not coming alive. This painting has passed the test and I am building layers towards a finished result, covering the cannvas in colours add a subtle vibrancy.
-apologies. This post was taken down to edit errors and is simply re-posted- I’m fine with paint … not computers – Jo
Watching paint dry has me working on two or three canvases … after several months of tweaking, changes and more changes, I can say “finished” to a piece started a year ago, and varnish it to send it to my next exhibition. Now I’m gazing at shadows thrown by protea leaves, which are twisting as they dry. The protea painting is off to a strong start as it takes on a new life, already diverging from my original concept. I liken it to writing, the when characters take on a life of their own.
I hate styrofoam (see photo) but free range eggs occasionally arrive it, purposely re-cycled … it makes a great paint holder, easy to pop into a plastic bag (another hate!) – I mix on glass palette; the mini one pictured above (I have three). I try to keep my palette clean as I work but occasionally one dries “dirty”. Hand sanitiser cleans dried acrylics like magic, then that palette is well washed and put away for several days.